After coming up with a sleek and soulful template on Along the Red Ledge, Hall & Oates took a temporary detour on X-Static, concentrating on disco rhythms. A few tracks were successful - in particular 'Wait for Me' - but the record sounds unfocused and misguided. Jul 13, 2017 HALL And OATES - Past Times Behind LP 71 72 76 w Whole Oates LP 72 w Abandoned Luncheonette LP 73 w No Goodbyes LP 73 77 w War Babies LP 74 w Hall And Oates LP 75 w Bigger Than Both Of Us LP 76 w Beauty On A Back Street LP 77 w Along The Red Lodge LP 78 w Livetime LP 78 w X-Static LP 79 w Voices LP 80 w Private Lives LP 81 w H2O LP 82 w Rock'N Soul LP 83 w Big Bam Boom LP 84. 'The Woman Comes & Goes,' performed by Daryl Hall & John Oates from the album X-Static. Listen to Hall & Oates on Spotify - http://smarturl.it/HaOSptfy?IQid.
Jump to navigationJump to search| Bigger Than Both of Us | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | August 1976 | |||
| Length | 34:51 | |||
| Label | RCA Records | |||
| Producer | Christopher Bond | |||
| Hall & Oates chronology | ||||
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| Singles from Bigger Than Both of Us | ||||
Bigger Than Both of UsBiohazard umbrella chronicles jpn iso wii downloads. is the fifth studio album by American pop music duo Daryl Hall and John Oates. The album was released in August 1976, by RCA Records. Youtube rihanna pour it up. The album included the first of their six #1 singles on the BillboardHot 100, 'Rich Girl'. Hall & Oates released a song titled 'Bigger Than Both of Us' on their Beauty on a Back Street album one year later. 'Do What You Want, Be What You Are' was covered by The Dramatics in 1979.
Jul 13, 2017 - HALL And OATES - Past Times Behind LP 71 72 76 w Whole Oates LP. W Along The Red Lodge LP 78 w Livetime LP 78 w X-Static LP 79 w. X-Static is the eighth studio album by Daryl Hall & John Oates, released in 1979 by RCA Records.
Hall And Oates Personal Life
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | [1] |
| Christgau's Record Guide | C+[2] |
Track listing[edit]
| Side one | |||
|---|---|---|---|
| No. | Title | Writer(s) | Length |
| 1. | 'Back Together Again' | John Oates | 3:25 |
| 2. | 'Rich Girl' | Daryl Hall | 2:24 |
| 3. | 'Crazy Eyes' | Oates | 3:03 |
| 4. | 'Do What You Want, Be What You Are' | Hall, Oates | 4:33 |
| 5. | 'Kerry' | Stephen Dees, Hall | 3:50 |
| Side two | |||
|---|---|---|---|
| No. | Title | Writer(s) | Length |
| 6. | 'London Luck & Love' | Sara Allen, Hall, Oates | 3:01 |
| 7. | 'Room to Breathe' | Allen, Hall | 4:13 |
| 8. | 'You'll Never Learn' | Hall, Oates | 4:14 |
| 9. | 'Falling' | Hall | 6:12 |
Personnel[edit]
- Daryl Hall – lead vocals (except tracks 1, 3 and 8), backing vocals, keyboards, mandola, synthesizer, arrangements
- John Oates – lead vocals on tracks 1, 3 and 8, backing vocals, rhythm guitars, harmonica, arrangements
- Christopher Bond – lead guitar, keyboards, synthesizer, arrangements, string and horn arrangements
- Tom Hensley – acoustic piano
- Scotty Edwards – bass
- Leland Sklar – bass
- Jim Gordon – drums
- Ed Greene – drums
- Slugger Blue – 'G kick' drums on 'You'll Never Learn'
- Gary Coleman – percussion
- Tom Scott – flute, saxophone, lyricon
- Charles DeChant – saxophone
- James Getzoff – concertmaster, conductor
- Stephen Dees – co-arrangements on 'Kerry'
Production[edit]
- Produced by Christopher Bond
- Engineered and Mixed by John Arrias and John Mills
- Strings engineered by Armin Steiner
- Recorded at Cherokee Studios (Hollywood, CA).
- Mixed at Sound Labs (Hollywood, CA).
- Mastered by Allen Zentz at Allen Zentz Mastering (San Clemente, CA).
- Cover Artwork – Ron Barry
- Cover Concept and Design – Daryl Hall
- Cover Photo – Gribbitt Photography
- Insert Photo – Kathy Hohl and Sam Emmerson
References[edit]
- ^Stephen Thomas Erlewine. 'Bigger Than Both of Us - Daryl Hall & John Oates'. AllMusic. Retrieved 2018-09-03.
- ^Christgau, Robert (1981). 'Consumer Guide '70s: H'. Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X. Retrieved February 24, 2019 – via robertchristgau.com.
After coming up with a sleek and soulful template on Along the Red Ledge, Hall & Oates took a temporary detour on X-Static, concentrating on disco rhythms. A few tracks were successful -- in particular 'Wait for Me' -- but the record sounds unfocused and misguided.
X-static Silver Fiber
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| Title/Composer | Performer | Time |
|---|---|---|
| 1 | 3:49 | |
| 2 | 4:08 | |
| 3 | 4:46 | |
| 4 | 4:03 | |
| 5 | 4:10 | |
| 6 | 6:38 | |
| 7 | 3:46 | |
| 8 | 3:57 | |
| 9 | 1:21 | |
| 10 | Sara Allen / Daryl Hall / John Oates | 3:35 |
| 11 | 3:16 | |
| 12 | 2:53 |
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And now, a note from John Oates Anytime an artist covers a song by Daryl and myself, I am usually flattered and always curious. This is the first time that a band has dedicated an entire album to the music of.
X-static
Driver Lexmark 1200 Para Windows 7 64 Bits. In regard to their interpretation of our songs, what can I say? Inara George has a sensual, smooth delivery, and hearing these songs performed from a female point of view is both surprising and engaging. Greg Kurstin’s production is very downtown noir; it’s sonically coherent with a nod of respect to the retro, but more of a vision toward the future. This record is the aural VIP room where the musical genius of hang out with the lounge lizards and create a cool new cocktail. Whatever they’re mixing, I want some.